Greg Iacurci works full-time as a senior reporter for the trade publication Fund Action, covering news and trends in the 401(k) market. Greg graduated from Fordham University with a Journalism degree and was a contributor for the school newspaper "The Ram" during his time there. He received the Bernice Kilduff White & John J. White prize for creative writing his senior year. In his free time, Greg enjoys watching movies both new and old, and has a soft spot for hilariously awful sci-fi films. If there were a church of Indiana Jones, he would be its most devoted follower. He plays guitar in a band with his friends called Chris & The Fitzgeralds, and has been hailed as the next Jimi Hendrix and Stevie Ray Vaughan; these accolades, however, came from his mother and father. Greg aspires to an enriching career as a journalist and writer, and hopes to publish a novel sometime down the road.
Greg Iacurci — Author
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Jeffrey Karoff’s Off to Anything But a Rocky Start: An Interview with the Director of the Oscar-Nominated Doc ‘CaveDigger’
Ra Paulette is a self-proclaimed “digger of caves and piler of rocks.” Is it a true statement? Generally speaking, yes -- he does quite literally dig caves and shift around large mounds of rubble, and has been doing... -
Godfrey Reggio, the Shakespeare of Poetic Cinema
Film oftentimes offers room for interpretation. That’s the beauty of the medium (and any art form, really). The screen serves as a conduit for both kinetic and static images, which the viewer in turn analyzes...
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‘The Hobbit: The Desolation of Smaug’ Gets the Journey Back on Track
In many ways, Peter Jackson’s middle chapter in The Hobbit trilogy is its predecessor’s doppelganger. There’s the familiar cast of characters: homebody hobbit Bilbo Baggins, wizard extraordinaire Gandalf the...
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Kathleen Hanna Puts the Grrr in Riot Grrrl: A Review of Documentary Film ‘The Punk Singer’
I’ll be the first to admit to my meager knowledge of the feminist framework. Indeed, I’d be hard-pressed to name any aside from those most prominent in the domain of women’s liberation — Susan B. Anthony,...
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Lifting the Veil: In Conversation With ‘The Ghosts in Our Machine’ Director Liz Marshall, Photojournalist Jo-Anne McArthur
The philosophy behind The Ghosts in Our Machine is simple: Humans are animals; they are as animal in nature as “non-human” animals inhabiting the planet; therefore, non-human animals, possessing a similar sentience... -
When in Rome: A Film Review of ‘The Great Beauty’
Rome. It has an undeniable aura of the eternal, its ancient monuments springing from the city’s foundation like headstones trumpeting the glory of a past golden age. It’s a place of historical richness and...
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Riding the Emotional Rollercoaster: In Conversation with Felix van Groeningen, Director and Co-writer of ‘Broken Circle Breakdown’
“Making a film is never a picnic for Felix. It’s more like ploughing a field, and then ploughing it all over again, and again — only to end up pulling up the potatoes with your bare hands. In other words,...
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Art, Love and Being a ‘Rice-Cooker’: Director Zachary Heinzerling on His Documentary ‘Cutie and the Boxer’
The Shinoharas’ relationship is a curious one. Ushio, 80, and Noriko, 59, certainly lend full-fledged credence to the maxim “opposites attract.” While Ushio is showy, Noriko is observant; while he flaunts,...
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‘Cutie and the Boxer’ Delivers a Paint-Infused Knockout
Ushio Shinohara sure knows how to turn a canvas black and blue. And no, I’m not talking about his preferred color scheme. A Tokyo-born “boxing” painter, Shinohara uses a high-octane technique that sees him... -
North Korea Goes ‘Girl Power’: Co-Director Nick Bonner on His New Film ‘Comrade Kim Goes Flying’
To the Western eye, Comrade Kim Goes Flying might not seem like much. About a 28-year-old North Korean coal miner from the countryside pursuing her childhood dream to become an acrobat, it’s a simple, unassuming...