Lisa Rainwater is a freelance writer and translator who divides her time between New York and Florida. Her writings have appeared in national and international magazines, journals and books. She recently completed her first historical novel (book one of a trilogy) that explores the turbulent relationships between red, black and white people in America’s 1800s. Prior to writing full-time, she served as campaign and policy director for a New York environmental group, where she developed media and community strategies and environmental policy initiatives. In her free time, Lisa enjoys cooking elaborate meals for friends and family and runs competitively to ward off the evils of too much butter. When she’s not writing, cooking or running, there’s usually a dog -- or two -- and a book in her lap. Lisa blogs about art, politics and her struggles with smoking at Why I Love Smoking…and Need to Stop: A Writer’s Take on the World, One Cigarette at a Time. She holds a doctorate in German Studies from the University of Wisconsin and was a Research Fellow at Rheinische Friedrich Wilhelms Universität in Bonn, Germany.
Lisa Rainwater — Author
-
Tribeca Reviews — The Absurdity of Life: Talya Lavie’s ‘Zero Motivation’
Ricky Gervais move over. There’s a new boss in town, and she’s bound to kick your British snark across six country borders and land you in the middle of a desert with a limited supply of staple guns -- sorry, there... -
Tribeca Interviews: Navigating a Clash of Two Cultures in ‘Tomorrow We Disappear’
“I want to have a video made of my house, so when it’s all gone, I’ll still remember it. So, in the future, we can watch it and say, ‘This is how we used to live.’” Such are the opening words of Puran Bhatt... -
Tribeca Reviews — Great Expectations to be Left at the Door: Lloyd Handwerker’s Tribute to ‘Famous Nathan’
As a Midwestern kid, my imagination ran wild with what, to me, seemed the end of the rainbow: Coney Island’s seashore, the legendary boardwalk, human oddities, roller coasters, and a Nathan’s Famous frankfurter... -
Tribeca Reviews — The Modernity of Juxtapositions: ‘Dior and I’
In his 1956 memoir, Christian Dior and I, the founder of the House of Dior declared that he hated “sudden change.” But it was his undeniably abrupt break with women’s post-World War II fashion that elevated Dior... -
An Aging Prison Population in Its Dying Days: An Interview with Edgar Barens, Oscar Nominated Director for ‘Prison Terminal: The Last Days of Private Jack Hall’
With over two million people -- young, old, women, men, poor (and some rich) -- of all skin colors serving out sentences behind the bars of United States correctional institutions, it isn’t a wonder that their lives... -
Behind the Scrim of Humanity: An Interview with Joshua Oppenheimer, Academy Award Nominee for Best Documentary Feature, ‘The Act of Killing’
In 1965, a military coup ousted Indonesian’s first president, Sukarno -- a revolutionary championed by the people for leading to the removal of the 149-year yoke of Dutch colonialism. As the military took control,... -
Embers of War Still Flickering at the Met
When Abraham Lincoln was elected the 16th President of the United States in November 1860, frayed stitching held the nation’s fabric in place. By December, the divide between North and South grew ever wider when...
-
Primary Colors: Orly Genger’s ‘Red, Yellow and Blue’
It was a rainy day across New York’s five boroughs — nothing new, considering a steel-studded sky had covered the Northeast for what seemed like a hundred years of glum. But unlike any of the dozen days...
-
Tribeca Talks — Catching Up with JR & the Inside Out Project in NY’s Times Square
It’s been a whirlwind few years for French artist, JR . In 2011 he received the prestigious TED Prize and a million dollars to change the world. JR’s wish: to connect people through a global art project he calls...
-
Looking through a “Gloss” Darkly: Edna O’Brien Walks a Long Blue Road in Black Suede Shoes
“That is the mystery about writing: it comes out of afflictions, out of the gouged times, when the heart is cut open,” reflects Edna O’Brien in her much-anticipated new memoir, Country Girl. Since her 1960...