Matt Johnson was born in Salina, Kansas. In 2007, he moved to Lawrence to attend the University of Kansas. He graduated in 2011 with a Bachelor's of General Studies in political science and a minor in film and media studies. You'll frequently find him reading or writing, but if there's no deadline lurking over him, he may be having a marathon conversation with a good friend. He loves to travel, but the cruelty of college austerity has kept him from indulging this aspect of his personality. He's currently pursuing his Master's in journalism at KU.
Matt Johnson — Author
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‘Ilo Ilo’ Is a Celebration of Common Dignity
The most outwardly “normal” lives can sometimes provide the finest dramatic material. Characters with impossibly lofty morals or blindingly effulgent personalities are often brimming with pretense -- and it’s... -
Cannibal Sheds the Conventions of the Horror Genre and Replaces Them with…Nothing
Read the synopsis of Spanish director Manuel Martín Cuenca’s latest film, Caníbal (Cannibal), and you’ll probably think to yourself, ‘Well, at least it won’t be boring.’ After all, it’s about a salacious... -
‘A Coffee in Berlin’ Takes a Surprisingly Shrewd and Whimsical Look at Youth and Modern Berlin
The event that plunged humankind into World War I -- the assassination of Archduke Franz Ferdinand of Austria -- took place exactly 100 years ago, on June 28, 1914. While the outbreak of the Great War may seem unrelated... -
Bellocchio’s ‘Dormant Beauty’ Is Missing Only One Ingredient: A Point Of View
What does it mean to be alive? To be dead? And what happens when gruesome circumstances arise to entwine these questions? These are the issues at the throbbing center of Marco Bellocchio’s newest... -
Honestly? The Strange Cynicism of ‘Vino Veritas’
“In vino veritas” means “there is truth in wine.” And sometimes, there is. The rest of the time, wine -- or any alcohol, for that matter -- leads to bluster, empty impulsivity, and posturing. The wine in the... -
A Girl, a Camera, and 27,000 Nautical Miles: Discussing ‘Maidentrip’ with Director Jillian Schlesinger
When Jillian Schlesinger came across the story of a fearless Dutch sailor named Laura Dekker, she knew she’d found a subject worthy of her first feature film. But Schlesinger never would have read Dekker’s name...
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Maidenfilm: Jillian Schlesinger’s First, Frustrating Feature – ‘Maidentrip’
Thirteen-year-olds have big dreams, but how many of them actively pursue — and realize — those dreams? How many can function for more than a day or two without a hand to hold or a friend to steer them...
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Movement and Stillness: A Conversation with Filmmaker Matt Goldman and Photographer Elizabeth L. Gilbert about ‘The Last Safari’
The Last Safari is a film about photographs. As such, it’s a film about how history interacts with the present and how consciousness needs memory to survive.
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Where They’ll Be When They’re Gone: ‘The Last Safari’ through Two Africas
Africa. You read the word and a mesh of timeworn images pours into your head: An exhausted woman clutching her emaciated child, a dusty, crammed refugee camp in Somalia, the horror of Rwanda — starvation,...
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Fun Trounces Pretense in Elysium
Neill Blomkamp’s first film, District 9, was an intriguing resuscitation of the increasingly stagnant alien invasion genre. It presented the aliens as mere commoners — prawns, as they’re derisively called...