The only child of British-Guyanese immigrants, Pamela A. Lewis was born and raised in Jamaica, Queens. From an early age, she was attracted to the arts, particularly music and the visual expressions. She seriously considered pursuing a career in music and attended the High School of Music and Art (now part of the LaGuardia School of the Arts), where she earned her diploma with a concentration in instrumental music (in flute). French was a close second to the arts, however, and Pamela earned her Bachelor’s and Master’s degrees in French Literature with a minor concentration in German. Apart from brief stints at the Museum of Modern Art and the Metropolitan Museum of Art, Pamela has taught French at the high school level for nearly 25 years, and currently teaches French at a Manhattan high school. In recent years, she has turned her attention to writing and has had some work published in The New York Times and various websites. For nearly three years, Pamela has been a regular contributor to The Episcopal New Yorker, writing on the religious art scene. Pamela still resides in Queens.
Pamela A. Lewis — Author
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Cool Hand Duke: ‘Velázquez’s Portrait of Duke Francesco I d’Este: A Masterpiece from the Galleria Estense, Modena’ At the Met
First the bad news: In May 2012, a series of powerful earthquakes struck the region of Emilia-Romagna, in northeastern Italy, all but devastating the cities of Ferrara, Mantua, Modena and many other historic towns....
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Enfants Magnifiques: Metropolitan Museum’s ‘P.S. 2012’ Showcases Public School Student Art
“Art is good for you,” reads the label comment accompanying kindergartener Olivia Turowski’s delightful cut and torn tissue-paper collage The Red Fox, one of 76 works in the P.S. 2012: Celebrating the Creative...
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A Taste of Bergamo at the Met: Bellini, Titian, and Lotto Have Come For a Visit
The ancient Greek physician Hippocrates famously remarked that life is short, but art is long and The Metropolitan Museum’s current exhibition of north Italian Paintings from the Accademia Carrara in Bergamo, while...
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A Defiant Beauty: Contemporary Iranian Art from the Permanent Collection at the Met
Given the media’s almost daily drumbeat reporting the ill will, distrust, and unveiled hostility defining today’s Iran, it seems not only implausible but foolhardy to believe that art...
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No Problem!: “Born Out of Necessity” Exhibit at the MoMA Explores Design
That chair we sit in, that helmet we don, and even those cute earplugs we stuff in our ears — all of ‘em, folks, are the offspring of the mothers and fathers of invention who...
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Face to Face: Rembrandt and Degas at the Metropolitan Museum of Art
“What I do is the result of reflection and study of the great masters.”
—Edgar Degas
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Conversations in Black and Black: The Brooklyn Museum’s “Question Bridge: Black Males” Exhibit
Do you really feel free? What is the black man’s purpose? What do you think of white women? What is so cool about selling crack? Are you black first or a man first? Why didn’t you...
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Photographs of Things Past: Eugène Atget at the MoMA
Abandon hope, all ye who enter the Museum of Modern Art’s current show Eugène Atget: “Documents pour artistes,” devoted to the work of French photographer Eugène Atget...